Kalampattu also called Kalamezhuthu pattu, is an ancient folk-artform of northern Kerala. This 600 years old artform is performed by a group five to fifteen people in Bhadrakali and Ayyappa temples. The ritual is performed around a kolam - an elaborate picture, usually of goddess Bhadrakali, drawn on the floor with five colors, and under the light of blazing torches. The singers are neatly dressed, the women wearing their hair on the side of the head. A series of special songs, kalampattu, are sung to the accompaniment of nanthuni and elathalam, two traditional musical instruments.

Kuthiottam: A ritual exclusive to Devi temples of South Kerala. A group dance with songs including those in praise of goddess Durga and other deities, padapattu or war songs and kalaripattu or martial songs. Instruments used are mainly percussions, ganjira, bells and chaplankatta. Faces decorated with paints and red curtains are used as partitions on the stage, to enhance the frightening effect.

Mamangam: This huge and wonderful festival is a replication of the cultural extravaganza that used to be held every 12 years by the Zamorins (ancient rulers of Kozhikode) in the middle ages. Royal families, principalities and chieftains from all over Kerala used to participate in this great cultural event which was held on the grounds of the Thirunavaya Navamukunda Temple at Ponnani in the present day Malappuram district.

Patakam: This art form is very similar to Koothu on gestures and movements, but the narration is through prose and song sequences. The costume is predominantly red - a red head dress and a red silk wrist band. The performer also wears heavy garlands around the neck and thick lines of sandal paste smeared across the forehead. Patakam is also performed outside the temples.

Poothamkali: A folk art commonly performed in the Bhagavathy temples of Malappuram. Pootham is the character who accompanied Durga in her combat with Darika. The performers, usually three in number, undergo a week of austerities before the presentation. Colourful and intricately designed face masks carved out of the pala and murikku trees are the highlights of the attire. The fifteen minute performance starts slowly and works up to a frenzy towards the end. The thudi provides rhythm to the dance, performed at night.

Pulikali: Also known as Kaduvakali, it is a traditional art form in Kerala during festive seasons. Performers paint their bodies in bright yellow, red and black spots and lines to resemble tigers, and dance to the loud beats of percussion instruments like udukku and thakil. It is a common art form during Onam season.

Sarppa Pattu: This snake dance is performing to satisfy the snake gods.

Thattumelkoothu: A devotional dance performed on a special platform carried around the temple by devotees, even as the performance goes on.

Theyyam: The most outstanding of the folk arts of Kerala, especially in the northern regions. Also called Thirayattam, (because every thira or village performed this ritualistic art at the village temple). This primitive ritualistic art demands long hours of preparation. The Theyyam or Kolam, represents a mythological, divine or heroic character. There are over 350 Theyyams in northern Kerala. The hood, headdress, face painting, breast plate, bracelets, garlands and fabric of attire of each of these kolams are distinct and meticulously crafted according to the character presented. The instruments used are chenda and veekuchenda (drums), elathalam and kuzhal (horn). This art form is mostly performed in Bhagavathy temples. Performances are carried out between October and May. Thira is the major subdivision of Theyyam.

Thiyyattu: A devotional offering to Bhadrakali and Sree Ayyappa. The performance usually starts at dusk. The artists sing and dance to the rhythmic music of the chenda, elathalam and chengila.

Tholpavakoothu: This art originated in the 18th century. Also known as pavakoothu (puppet play) or nizhalattam (shadow play). An art of entertainment, is performed on the special stage called koothumadam in the temple courtyard. Puppets (pavakal) made of deer skin, usually representing four characters from the Ramayana, are arranged behind a long white screen, in front of bright wick lamps. The puppets are made to dance to songs from the Kamba Ramayana (the Tamil version of the epic). The performance starts late at night and extends till the morning.

Thullal: Another version of Koothu and is characterised by simplicity of presentation, wit and humour. The inventor of this art form is Kunjan Nambiar. The dancer himself sings the lead to the accompaniment of the maddalam and elethalam. The three forms of Thullal are - Ottanthullal, Seethankanthullal and Parayanthullal. Very colorful costumes.

Vadithallu: Resembling Kolkali, a folk dance performed holding short sticks in both hands.

Velakali: A most elaborate and spectacular martial folk arts of Kerala.. Fifty or more performers in the traditional attire of soldiers, bearing colourful shields and swords or long canes, dance with war like steps in perfect orchestration to the resounding beats of the thakil, suddha maddalam, elathalam, kuzhal and trumpets. A few fighting techniques of Kalaripayattu are also displayed in the course of the performance.

Koothambalam: Specially decorated hall in the temple premises meant for ritual and art performances

Koothumadam: A stage specially erected for certain ritual and art performances in the temple.

Panchavadyam: The traditional temple music accompanying processions and pageants. The five instruments are chenda; kuzhal; edakka; elathalam, timila.

Important Rituals in the State
Ammankudam: A ritual dance of devotees carrying holy pots on the head as offering to the goddess. Usually performed in Bhagavathy temples.

Arattu: A ritual connected with the end of a festival. The idols of deities are carried in procession to the river, where they are bathed. The purified idols are then escorted back to the temple in procession accompanied by caparisoned elephants, panchavadyam, nadaswaram and chendamelam.

Chandanakudam: Ritual offering of coins in earthen pots, in Muslim shrines . The pots are smeared with sandal paste, mouths covered with white cloth, with a garland around the neck and three incense sticks stuck into the cloth covering.

Chuttuvilakku: Thousands of oil lamps fixed on the outer walls of the temple are lighted.

Ezhunnallathu: Ceremonial procession of the idols of a temple. The procession usually comprises various cultural art forms, traditional temple music and elephant pageants. Kodiyettam is the ceremonious flag hoisting ceremony denoting the beginning of the festival or festive season in a temple, church or mosque.

Pallivetta: Symbolic of Lord Vishnu hunting down the demon of evil in a forest. The colourful procession attracts devotees in large crowds.